Featuring: Kissy Sell Out // MC COBRA // Kotch // Bear Twists // Jackov
£2.50 Thatchers Gold Cans, £2 Heineken cans, Dbl Vodka / Mixer £3.50, Dbl Rum / Mixer £3.70
Selected shots £1
Tickets from £6 adv
http://www.thelanesbristol.co.uk/buy-tickets-here/
https://next.fatsoma.com/events/3co5625o/kissy-sell-out-s-rave-on-tour
KISSY SELL OUT
One of the UK’s finest, Kissy Sell Out continues to be a hugely influential name in electronic scenes all over the world
The story continues…
Whether it’s the highly sought-after DJ edits he manages to thrash out, 4-at-a-time from the Pioneer CDJ 2000s he has helped develop, or his charming personality and stage presence, there is a level of mischievous determination about Kissy which seems effortless and genuine. It’s this aspect of Kissy’s live shows which often divides audiences into those who dance and those who simply stand a stare – with their camera phones held high – as the young DJ speeds through tune after tune before their eyes.
Having hosted the hugely successful “Kissy Klub” show on BBC Radio 1 previously, Kissy returned to radio with the new Kissy Klub show, broadcast every last Thursday of the month on Pioneer DJ Radio (9-10pm GMT), and also currently the top rated show on the station. The latest episodes, DJ mixes, bootlegs and a huge amount of free content can be found on the iTunes top-4 ranking “Kissy Klub Podcast” (www.bit.ly/KISSY-KLUB-podcast).
BEAR TWISTS
www.soundcloud.com/bear-twists
Has been making the dancefloors bounce since the dawn of time. Whether it be a filthy warehouse rave, house party or wedding this guy has the tunes to get people dancing!
KOTCH
www.soundcloud.com/kotch
Kotch is famously known for his bucovina remix which is regularly used in sets by the likes of Krafty Kuts, A Skillz, and Funk Hunters to name just a few.
JACKOV
A well established DJ and Producer within the Bristol Dubstep and Drum n Bass scene.
He was one half of DJ Duo Jackov & Kallendar who were known for their party, mashup style sets but has now been taking on solo DJ gigs due to Kallendar concentrating more on his production and himself delving more into the deeper darker side of the bass music sound.